Posts Tagged ‘what do you mean you haven’t posted yet?’

Some Final Notes

Tuesday, April 23rd, 2013
  • This blog will close for graded work on Saturday, April 27, at midnight.   Except for your final paper and presentation, no work will be accepted for grading after this time.
  • Your final paper should be submitted to me ELECTRONICALLY (note that this is a change), as an email attachment or google docs link, not one minute later than NOON on Tuesday, April 30.  My comments and your grade will be returned to you by email.
  • Our final exam presentations will be on Tuesday, April 30.  We will start at 9:00 a.m. rather than at 8:30 a.m.

My hand message washed off but here you go anyway

Friday, March 22nd, 2013

People, I am feeling… unnerved?  dissatisfied?  disappointed?  [insert UN and DIS words] that we are struggling with Omeros so much.  It is a hard poem.  But it’s also a stunning poem.  And this is an advanced seminar.   You don’t have to like it (but thank you, Kristina!).  But you should be working harder to understand it, to think about its purpose and intention.  You should be blogging about it, even if you are posing questions.  So let’s see some better work in our last week on Walcott.

Some lingering issues:

literary/epic precursors:  We talked about the Melville exchange in class, but a few others are important to Book V as well.  What do you make of the narrator’s encounter with James Joyce (200-201) and his imaginative rendering of the Odyssey (200-204)?

What is going on with our fluid Seven Seas/Omeros/griot/shaman/London man/etc. figure?  What do the manifestations have in common?  What is the purpose of this figure in the poem?

portrait of America: In Books IV and V, we get reflections on present-day America and historical America: Boston, the American West, Native American history, the history of slavery and current race relations.  How are they portrayed individually or what is America’s role more broadly?

poem’s (in)coherence: In class, people expressed confusion about how to bring together all of the parts of this poem: Plunketts, narrator, Achille/Helen/Hector etc.  Ideas?

same old, same old:  I, too, am sick of father-son stories (thanks a lot, Shakespeare, Disney, and everything in between).  But we’ve got another.  Warwick-narrator.  Plunkett-missing son-historical Plunkett.  Afolabe-Achille.  Discuss.

language:  French creole.  English creole.  Standard English.  Anachronistic Black Dialect.  (Others?)   Are there patterns of usage?  Where and why are certain languages employed?  Also, have you noticed that nature “talks” in the poem?  Walcott repeatedly describes nature using communicative words (e.g., garrulous, talkative, cry, pass on, making signs, calligraphy); how does that fit in?

form/genre:  This is our first truly narrative long poem.  Our genre theorists talked about the influences of lyric, epic, novel, drama on the long poem.  How can we characterize Walcott’s use of these or other generic forms and expectations?

There is more but that will do.

Isun’s Bridge to the Blog (Late)

Friday, February 22nd, 2013

Based off of the queries in class as to why these three stones were named by H.D., I decided to look them up and see what superstitions, powers, and/or myths were associated with them.

Onyx – Onyx was very popular with the Romans and Greeks, and anything that is popular in the classical world had a myth created to explain its existence. Onyx is not apart from this tradition. It is said that Cupid once cut Venus’ nails with one of his arrow heads while she was sleeping, and littered them across the sand of the Earth. The fates, seeing this, turned the nail clippings into stone so that they would not lose their divine quality. The name itself comes from the Greek word for claw or fingernail. It was also a material heavily used in Egypt for creating pottery and in Greece for making cameos and the like.

Onyx also is one of the founational materials in John of Patmos’ vision of New Jerusalem in the apocolyptic text of the Book of Revelation. There are twelve gates into the city, there are twelve materials used in the building of the city – jasper is the first material mentioned (I’m saying this because she speaks of her walls maybe being built of jasper), and onyx is the fifth. In newer translations, however, the fifth is agate, and onyx is not mentioned… Interesting, huh? Who knew stones were important in the Bible? (Answer: Not me. Sorry. I’m quite ignorant on the whole matter, hopefully to be fixed over the summer!)

Another fun fact about New Jerusalem – there is a New Jerusalem Church of God in Christ on Moravia Street in New Castle Pennsylvania. I found this from trying to see if New Jerusalem was at all important in the Moravian sect. Then again, it kind of fits even if it isn’t something that may have been emphasized in H.D.’s religion. A post-apocolyptic city that comes down after crises (“end times”) with walls made of jewels – jasper, onyx, agate, sapphires, emeralds… with walls that will not fall. A sacred, heavenly place.

Opal – While the etymology of the word is debatable, “Opal” seems to have come from either one of few places. The first would be a namesake of Ops, the wife of Saturn and a goddess of fertility. The widely celebrated Saturnalia festival (celebrated around modern-day Christmas way back when) had an Opalia built into it to celebrate Ops. There are two other potential origins – the word for “seeing” (like where we get opaque from) and the word for “other”(as in an “alias” or an “alter” to vageuly synonymize). In Russian superstition, Opal does indeed represent the evil eye like was mentioned in class by Kristen(sp?). But, it was also associated with luck and bringing luck because of its many colors during the Middle Ages.

Obsidian – This stone can be found wherever there have been volcanic eruptions, generally. It is easily shaped, carved, and very sharp; it is common to find obsidian arrow heads, plates, etc. from the past. The material is even used to make scalpels today. Obsidian would also be used to make amulets and talsimans from – they were believed to keep away negativity. Obsidian can lessen stress, suppress aggression, and protect from mischeif; more specifically, it protects from the “evil eye” (I know, right?). The material was considered very strongly protective of women, especially.

Based on all these things, I believe H.D. put a great deal of effort into this single line (she seems to have put a great deal of effort into every line, actually). Materials that can be alchemized, precious stones, multi-colored, protective, evil, volcanic, and/or apocolyptic, they all have some relationship to what is really going on in the poem. Every time I read another lyric from this book I’m more and more in shock and awe of how much I’m reading in a single page.

Speech info

Monday, January 21st, 2013

The assessment rubric that I will use to grade the JumpStart speeches is now posted on the page Speech/Bridge Schedule in case you’d like to use it for speech planning and practice.

Also: why am I the only one posting on this blog??  Get on it.

Add me fixed (I think)

Tuesday, January 15th, 2013

Thanks to those of you who let me know that you were having trouble adding yourself to the blog.  I THINK I have fixed the issue, so give it another go!

Welcome to the Seminar on American Long Poems

Monday, January 14th, 2013

In many ways, the blog is like a long poem: it can transcend chronological logic; it is potentially sprawling and may or may not stay firmly on topic; it requires a lot of work; it can accommodate many voices and discourses and even different media; it could develop in fragments or a coherent trajectory; it is hard to predict exactly where it will end; it could be a work of genius or a flaming disaster.  Have at it.